Sunday, April 19, 2015

Week 3: Robotics + Art


When Gutenberg brought the printing press to the west in fifteenth century, mass production became possible, which sponsored the spread of knowledge and ideas.  In all past history classes, I was taught that the advent of the printing press was the most positively influential discovery because it brought in the age of enlightenment.  Only after studying this unit, I have realized that this discovery was not progressive for all areas of culture.   The mechanical reproduction of artwork caused what Walter Benjamin calls the problem of lost “aura”.  When artwork is replicated, the authenticity and uniqueness of the art vanishes, creating a less important original piece.

 The propagation of the printing press was only the very first step toward this de-authentication of original artwork.  Henry Ford is responsible for starting assembly line production.  Ford’s entire concept of the assembly line was instigated by his desire for people of all economic status to have access to cars.  Similarly, people of all incomes during this time were becoming able to admire art, whether the original or replica.  Computers today, especially the Internet, have made reproductions or pictures of art accessible to anyone.  However, arriving at the computers we have today required many breakthroughs.  The concept of the first “computer” was created by Alan Turing.  Alan Turing, as portrayed in the recent movie, “The Imitation Game,” was a cryptanalyst who deciphered the code of the German enigma machine with his machine named Christopher, which occupies almost an entire room.  Without his great mind and technology, the war would have persisted much longer.






Instead of looking at the reproduction of artwork as diminishing the impact of the original piece, now more people have the opportunity to appreciate the artwork simply because a larger population is capable of seeing it.  Although Douglas Davis agrees with Walter Benjamin that “the dead replica and the living, authentic original are merg[ed],” he asserts that ultimately there is a “persistence of the aura” because people will always seek to find the original.  Overall, despite the loss of some aura with the introduction of technology proficient at replicating and disseminating artwork, the benefits of that technology outweigh the consequences.








Benjamin, Walter. “The Work of Art in Age of Mechanical Reproduction.” Marxists. N.p.. Web. 18 April 2015. <http://www.marxists.org/reference/subject/philosophy/works/ge/benjamin.htm>.
Davis, Douglas. "The Work of Art in the Age of Digital Reproduction (An Evolving Thesis: 1991-1995)." Leonardo 28.5 (1995): 381-86. JStor. Third Annual New York Digital Salon. Web. 18 Apr. 2015.
Ernst, Kurt. Henry Ford’s Moving Automotive Assembly Line Turns 100. Digital image. Http://blog.hemmings.com/index.php/2013/10/07/henry-fords-moving-automotive-assembly-line-turns-100/. 7 Oct. 2013. Web.
Ro, Neale. The Importance of the Aura in Digital Humanities (AFF601). Digital image. Http://dhblog.maynoothuniversity.ie/nrooney/?p=132. 23 Oct. 2014. Web.
Subitolove. Digital image. Https://subitolove.wordpress.com/2015/02/22/just-another-oscar-winning-movie-movie-review-on-the-imitation-game/. 22 Feb. 2015. Web.
The Imitation Game. Dir. Morten Tyldum. Perf. Benedict Cumberbatch and Kiera Knightly. StudioCanal, 2014. Film.

Vensa, Victoria. Robotics + Art Lecture. UCOnline. N.p., n.d. Web. 18 Apr. 2015. <https://www.youtube.com/watch?v=oAZ8bo9T_Pk>, <https://www.youtube.com/watch?v=wkP7oSZVkbg>.



2 comments:

  1. Melinda,
    I enjoyed your take on mechanical reproduction and your opinion of Walter Benjamin’s concern of the lost “aura” through the reproduction of art. I totally agree that with the mass reproduction of art that is now possible, many individuals are able to appreciate and have pieces of art in their homes. Likewise, I see how you can say that the good of mass reproduction outweighs the bad. However, I also would like to comment on how in a way, I can almost see that the negative outcomes as well of mass art reproduction outweighing the bad (for discussions sake!). Since some pieces are reproduced tons of times, like Starry Night for example, part of me feels as though we are narrowing our reserve of art in that we aren’t creating as many unique and different pieces. Maybe we are putting too much effort towards replicating the same pieces of art as opposed to creating tons of new/ different forms of art that can be accessible to all and not just the wealthy. I see the argument both ways, in terms of Douglas Davis and Walter Benjamin—so its just a little food for thought!

    ReplyDelete

  2. Completely agree with your idea about the printing press. Although it was extremely influential and helpful in spreading the ideas of the author to mass audiences, from an artist’s perspective it hindered the value of the original ideas. On a more optimistic note, if an idea is spread to the masses, then that idea can stem newer ideas and stimulate new knowledge by a joint effort.


    Reproduction, overall, I think isn’t a bad thing but not enough credit is being given to the original in this modern age now. As you said, computers give us access to anything we need, often duplicates of whatever is the original piece we are searching for. I love your quote, “Now more people have the opportunity to appreciate the artwork simply because a larger population is capable of seeing it.” And that is so true. Beauty is in the eye of the beholder but if the beauty cannot be experienced because there isn’t distribution of the copies to the public, then we are robbing society of a chance to learn and experience something new.

    ReplyDelete